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The differences between eighteenth-century literature and romantic poems, with respect to history is constituted here. This is seen through the influential works of John Keats and Alexander Pope. These works are acknowledged as, “The Rape of Lock” and “The Eve of St. Agnes.” Alexander Pope takes his readers on a hatred filled epic. A robust piece of literature and love induced psychoses in, “The Rape of Lock.” On the other hand, “The Eve of St. Agnes” told a tale of life, love, death, and eternal fate in heaven. These two brilliant writers have given two magnificent poems. Pope exhibits many characteristics of a narcissistic human being. His independence in life shows through his writings in fiction. Which inevitably portray his deeper feelings of life. Popes’ efforts here are of outstanding quality.

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Alfred Hitchcock is among the few directors to combine a strong reputation for high-art film-making with great audience popularity. Throughout his career he gave his audiences more pleasure than could be asked for. The consistency of quality plot-lines and technical ingenuity earned him the recognition of being one of the greatest filmmakers of all time. His films earned him the reputation of being the ‘master of suspense’, and after viewing two of his more popular films, Psycho and The Birds, it is evident why. There is a distinction between surprise, which lasts only a few seconds, and suspense which captivates one’s attention the entire length of a film. This is something that Hitchcock realized early on, and applied into his movies. He is one of the few directors whose name on a marquee is as important, if not more so, than any actor who appears in the film itself. Both his style of directing, and that of the movies that he has directed are very unique, making him stand out in the film industry. He pioneered the art of cinematography and special effects, which along with his cameos, are what he is most often associated with. Hitchcock led a long and prosperous life in the movie industry, starting as a teenager and making movies up until his death in 1980, while working on the 54th of his career (Sterrit 3).
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